Japanese Woodblock Prints - selections from Hiroshige's 100 views of Edo

#30 Kameido Ume Yashiki

#64 Horikiri no Hana Shobu

#94 Mama no Momijitekona no Yashiro Tsugihashi

#99 Asakusa Kinryu Zan

#36 Matsuzaki atari yori Suijin no Mori Sekiya no Sato wo miru zu

#63 Suidobashi Surugadai

#57 Kameido Tenjin Keidai

#102 Minowa Kanasugi Mikawashima

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Japanese Woodblock Prints by Hiroshige (1797-1858)
Eight selections from 100 famous views of Edo

Ukiyo-e, meaning 'pictures of the floating world', was the most popular art form of 17th -19th century Japan. 'Ukiyo' was a Buddhist term referring to the melancholy transience of life. The concept was punningly altered to mean the fleeting pleasures of everyday life. Ukiyo-e depicted these pleasures, primarily through the medium of woodblock prints.

The pleasures that were most commonly illustrated were: the theater (Kabuki, Noh, etc); beautiful women; and the enjoyment of the natural world (landscapes, nature). Other subjects included current and historical events, legends, and more.

The style began in the 17th century with simple black and white prints which were occasionally hand tinted. One or two color blocks were added to the printing process during the first half of the 18th century and by 1765 full color printing had developed. By the mid 19th century the printers art had reached its pinnacle with such subtle innovations as shading of colors, metallic pigments, and embossing. The talent and innovation of the 18th-19th century Japanese artists combined to create color print art of unsurpassed beauty and technical merit.

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